
A copper buzz cut, concrete light, a black coat, and a face that refuses softness.
Berlin begins where polish becomes severe.
Jette Aydin opens the Berlin suite with olive-taupe skin, pale grey-green eyes, heavy brows, and a shaved copper line that turns restraint into a campaign asset.
Her launch world moves from Kaltwerk leather tailoring into Monochrome Skin beauty, Haus Silex jewelry, Nebel Atelier projection couture, and a brutalist Ethereal Berlin cover.






License Jette Aydin for a campaign system with controlled image usage, stills, motion, territory, duration, approvals, and production handled through Ethereal.

Ronja Mbaye carries outerwear, beauty, ceramic objects, and theatre couture through cold museum light.

Klara Iskander turns complexion, fragrance, tailoring, and archive couture into a Berlin gallery language.
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Mina Holst brings optical coldness, pale beauty, signal outerwear, and installation couture to Berlin.
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Sevin Karaca moves through cinema leather, brow beauty, bags, projection couture, and underground cover authority.
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